Packaging automation

The roll runs out. The line keeps running.

From the film to the pack on the pallet: electrical schematics, control panels and programs that hold tension, register and sealing temperature even when the roll or the format changes.

The forming tube of a vertical bagging machine: the silver film comes down from the roller, wraps over the steel collar and becomes a tube. At the sides, the pull belts; in front, the vertical sealer; below, the jaws with the pillow bag just closed.

On the plant floor

Every roll is a little different. The pack can’t be.

Thickness, print repeat, slip: film changes from one roll to the next, and it stretches with tension and with heat. That’s why a packaging line isn’t set once and for all: it measures. Tension with dancers and load cells, print position with the eye mark, temperature with a sensor on every sealing bar.

We do this work all along the packaging chain: where the material is made (film, labels, sleeves), on the packaging machines, on inspection and reject, at the end of line. We draw the schematic, build the panel, write the program and start the machine up with real film.

The machines

Where each machine gets tricky. From the extruder to the stretch wrapper.

Film · Blown film extrusion

Thickness is set between feeder and haul-off.

The gravimetric feeder gives kilograms per hour, the haul-off meters per minute: the resulting weight per meter corrects the screw speed. The automatic air ring corrects the profile; the IBC holds the bubble width. At the far end, the winder changes rolls with the line running.

Close-up of the pull belts: the black belt between two aluminum pulleys, pressed against the tube of silver film; at the top, the flare of the collar.

Printing · Flexo and gravure

Register is a phase angle between motors.

With no mechanical line shaft, every cylinder has its own motor: the sensors read the register marks and the control corrects the phase. Tension is controlled with dancers or load cells, unit by unit. On the edge, the press prints the eye mark the packaging machine will read.

Close-up of the eye mark: a black rectangle printed on the silver film of a bag, next to the serrated seal.

Slit rolls · Slitter

Roll hardness is programmed.

At the unwind, the dancer holds tension and the web guide follows the edge. At the rewind, tension tapers with diameter and the lay-on roll controls the nip load: no telescoping. On sleeves, what counts is the seam of the tube; on labels, die-cutting in register.

Close-up of the idler roller: the end of the aluminum roller with its shaft and the silver film running over it; on the edge of the film, a black eye mark.

Bag · Bagging machine

The eye mark decides where the cut falls.

The photocell reads the eye mark and corrects the length pulled by the belts: the cut always falls at the same spot on the print. Film pull and jaws run on an electronic cam; sealing temperature and time are in the recipe. The weigher discharges when the machine calls for it.

Close-up of the mouth of the forming tube seen from above: the flat film reaches the steel collar and wraps around it; in the center, the inside of the tube.

Inspection · Weight and metal

The reject comes a meter after the reading.

Checkweigher, metal detector, camera: each has its own distance from the rejector. The PLC tracks the pack with the conveyor encoder and rejects the right one even while the speed changes. Reject not confirmed or bin full: the line stops, with the reason on the HMI.

Close-up of the finished pillow bag, on its own: puffed silver film, the two serrated seals at the ends, the black eye mark near the edge.

End of line · Palletizer

One stopped pallet stops the whole line.

Case packer, palletizer, stretch wrapper: the accumulation conveyors buy time to change a pallet or a film roll without stopping what’s upstream. Pallet pattern and number of wraps change with the format, from the HMI. At the exit opening, light curtains with muting; on the pallet, the logistics label.

Close-up of the sealing jaws, closed: two steel bars brought together, carried by two aluminum crossbars that slide on two chrome-plated guide rods.

Thermoformer, cartoner, labeler, shrink bundler: if your machine isn’t here, write and tell us how it’s built.

From material to pack: they chose us

Where you start

Three ways to begin. Pick the one that applies to you.

  • Starting from a blank sheet

    New line or machine

    A bagging machine with its weigher, a slitter, a palletizing cell. We start from what it has to do: formats, rate, what happens at every changeover. Then come the schematic, the panel built in our workshop, the software and start-up at your plant. If the mechanics are missing, we coordinate them.

  • Starting from what’s there

    Line to redo

    A bagging machine that still seals well but has discontinued controls, a slitter with drives you can’t find anymore. Mechanics, motors and field cables stay; the PLC, the HMI and the drives with no spares are replaced. The panel is tested first in Mesero, with its software: at the plant, all that’s left is to reconnect and restart.

  • You already have the rest

    Just one piece of the job

    You have an engineering department, or a supplier for the rest, and you’re missing one part: the schematic for a filler, the panel for a shrink tunnel, the program that reads the eye mark. We do that part, to your design. Before we start, we put in writing where our work ends and yours begins.

Questions

Eye mark, seals, stops, UL.

Seven questions from the plant floor. The answers are the ones we’d give in person.

We run printed film. Do you handle eye-mark reading and print centering?

Yes. The photocell reads the eye mark within a window and the program corrects the pull length on every bag. If the mark is missing for several bags in a row, the machine stops and says so on the HMI. Reading window and bag length are in the format recipe.

We raise the rate and the seals stop holding. Is it the controls?

Partly, yes. More bags per minute means less time with the jaws closed: if time and temperature don’t follow the speed, the seal opens. In the program, sealing time is tied to the rate and every bar has its own temperature control. You can’t go past the limit of the film, though.

We have machines from different builders that don’t talk to each other. Can they be tied into one line?

Yes. Between one machine and the next, a few signals are enough (ready, running, accumulation full, stop): we bring them to a line control panel, or onto the network where the machines allow it, with the speeds in cascade. The HMI shows which machine stopped the others; the builders’ programs aren’t touched.

The bagging machine’s PLC isn’t available anymore. Is it better to redo the controls or replace the machine?

It depends on the mechanics. If jaws, film pull and frame are sound, the controller, the HMI and the drives are replaced and the machine restarts with its own recipes. If the mechanics are at the end of their life, we tell you before the quote. When a revamp is worth it

Pieces, rejects, stops: can we get the data without asking the operator?

Yes. The PLC counts good packs and rejects and logs every stop with its cause: out of film, jam, waiting on downstream, alarm. The HMI shows the data by shift and by lot. That way you can see whether the line loses more time to long stops or to the many stops that last a few seconds.

The machine is going to a plant in the United States. Can the panel be UL?

We design and build it to UL 508A and CSA, ready to be certified. Certification is issued by the local certifying body, in the country where the panel is installed. For Europe, every panel ships with its CEI EN 61439 declaration of conformity.

After start-up, a different film comes in, or a new format. Do we have to call you back in?

Not always: usually a new format is added as a recipe, from the HMI. If the program needs work, we connect from Mesero, when the machine can be reached remotely. The first year of support is included, and the person who answers is the one who wrote the program.

Writing to us

Tell us what comes off the line. And how much of it has to.

  1. The product: film, label, bag or pallet, with sizes and formats.

  2. The rate: meters or pieces per minute, what you run today and what you need.

  3. The machine, if there already is one: make, year and a photo of the panel with its doors open.

Film data sheet, photos, drawings: the form has room for attachments. An engineer replies within 1–2 business days.